Friday, December 26, 2008
Thursday, December 25, 2008
Merry christmas!
Sunday, December 21, 2008
Schapelle Corby

Schapelle Corby: the hidden truth

In June 2008 in Australia, the Nine Network broadcast a two-part documentary called Schapelle Corby: The Hidden Truth. An edited version of the documentary was renamed Ganja Queen and aired on HBO in North and South America, before being released on DVD.
Tuesday, December 16, 2008
Lonely night with the moon.
Even a man who is pure in heart and says his prayers by night, May become a wolf when the wolfbane blooms And the autumn moon is bright.
- Maria Ouspenskaya's ("The Wolf Man" 1941)
"Anoche me encontré con la luna, como estaba sola me quede con ella. Me dijo que te vio pero no me quiso decir donde estas, me dijo que me buscas pero ella no te dijo dónde estoy. Dice que también miras la misma noche estrellada buscando una respuesta en el cielo."
Sunday, December 14, 2008
Monday, December 8, 2008
Inside a book, inside a story

Un libro, no solo nos sirve cuando tenemos que buscar información, un dato exacto sobre algo, el leer nos da una idea, una descripción disimulada del autor del libro de lo que ocurre en su cabeza, en su vida o alrededor.
Friday, December 5, 2008
La fine ? o continuamos ?
Y quizá de eso se trata crecer: de entender que empezar de nuevo no significa haber fracasado, sino tener el valor de elegir un camino distinto. Cada nuevo comienzo nos obliga a dejar atrás una versión de nosotros mismos que ya no nos representa. Da miedo, sí, pero también es la única forma de descubrir hasta dónde podemos llegar.
¿Entonces seguimos así o comenzamos de nuevo?
Tuesday, December 2, 2008
Monday, December 1, 2008
Thursday, November 27, 2008
HELP! the movie
-
Director: Richard
Lester (who also directed their first hit film, A Hard
Day's Night).
- Writers: The screenplay was
written by Marc Behm and Charles Wood.
- Release Date: The movie had its royal
world premiere in London on July 29, 1965, before opening in
US theaters on August 11, 1965.
The
motivation behind Help! was a mix of business strategy,
creative exhaustion, and tax breaks:
- The Soundtrack Machine: United Artists primarily
backed Beatles films because they wanted the lucrative rights to sell the
soundtrack albums. The films were essentially massive, highly effective
promotional tools for the records.
- Avoiding a Repeat: The band was
determined not to make a simple, black-and-white sequel
to A Hard Day's Night (which had been a fictionalized,
documentary-style look at Beatlemania). They wanted a complete change
of pace. Instead, they opted for a colorful, surreal "Pop Art
fantasy" that spoofed the massive James Bond spy-thriller craze of
the mid-1960s.
- Exotic Locations (and Tax Loopholes): The plot—which involves an Eastern death cult chasing Ringo to recover a sacrificial ring—was famously written around specific locations like the Swiss Alps and the Bahamas. Paul McCartney later admitted they chose these spots simply because they wanted an excuse to go there. Furthermore, band manager Brian Epstein used the Bahamas shoot for complex tax purposes, helping the group claim residential status to avoid steep British tax rates.
The
principal photography for Help! took just over two
months to complete.
Filming
officially began on February 23, 1965, in the Bahamas, where they
spent about two weeks. By mid-March, they flew to Obertauern, Austria, for
the alpine ski sequences. The remainder of the production was spent back
in England shooting interiors at Twickenham Film Studios and various outdoor UK
locations, wrapping up by mid-to-late April 1965.
The shoot
became notoriously chaotic for director Richard Lester because the band was
completely checked out from the script. Between being exhausted by global
fame and heavily indulging in marijuana ("smoking marijuana for
breakfast," as John Lennon later put it), the band spent a vast majority
of the afternoon shoots completely incapacitated by the giggles.
The Box
Office and Soundtrack Boom
Financially, Help! was
an absolute home run. Produced on a budget of around $1.5 million, it pulled in
millions of dollars globally within weeks. United Artists got exactly what they
wanted: the soundtrack album spent nine weeks at number one on both the UK and
US charts, selling millions of copies and yielding massive hit singles like
"Help!" and "Ticket to Ride."
The
Critical Reaction (Then vs. Now)
The
critical reception was a bit more complicated than the financial one:
- In 1965: Critics generally enjoyed
it, praising its vibrant Technicolor style, surreal humor, and the band’s
natural charm. However, many felt the frantic, cartoonish plot lacked the
fresh, authentic energy of A Hard Day's Night.
- The Modern View: Over time, Help! has been completely re-evaluated by film historians. Today, it is recognized as a massive influence on pop culture. Its quick cuts, absurd humor, and stylized musical sequences essentially laid the blueprint for modern music videos, directly inspiring the format of the 1960s TV show The Monkees and, eventually, the creation of MTV.
The
Beatles' Own Verdict
The band
themselves had mixed feelings about it. John Lennon later expressed frustration
that they felt like extras in their own movie, pushed around by a massive plot
rather than being allowed to show their personalities.
Wednesday, November 26, 2008
-Now let me forget-
Aprovecho que llega la noche, solo quiero cerrar los ojos y olvidar el ahora. Ahora dejame olvidar.Solo quiero pensar en lo que podría ser si...cambio el pasado y modifico mi futuro. Si yo te digo que si, si yo te muestro lo que soy y no lo que parezco ser.

Je veux juste penser à ce qu'il pourrait être si ... Je change le passé et je modifie mon avenir. Si je vous dis oui, si je vous montre ce que je suis et non pas ce qui semble être.
Nuevas espinas
Tuesday, November 25, 2008
The Most Beautifully Weird TV Show: Pushing Daisies
The show begins when Ned reunites with his childhood crush, Chuck, under not-ideal circumstances, but it is a romantic situation. From there, the series becomes a mix of romance, murder mysteries, dark fairy tale humor, and visually colorful storytelling.
Most episodes revolve around solving strange murders alongside a private investigator, while the bigger emotional story focuses on love, loneliness, secrets, and the consequences of trying to cheat death.
Coeur d’Coeurs: Origin and Meaning of the Town’s Name click
What makes the show special isn’t just the plot; it’s
the atmosphere. It feels like a living storybook: bright colors, quirky
narration, eccentric characters, and dialogue that sounds almost musical. Even
though it deals with death constantly, it’s oddly comforting and charming
rather than grim.
If you want to know more about this show click here
Pushing Daisies : The creator and some facts
This series at the begining received very good reviews and great fan support, but at the time, they couldn't change ABC's mind, and the network canceled the show. Fans tried to get Pushing Daisies picked up by another network, but that didn't happen either. There was also support for the idea of immortalizing the series in a two-hour movie, as was done with its creator, Bryan Fuller's previous series, Dead Like Me, but this also failed to materialize.
To the dismay of the show's fans, it only lasted two seasons. ABC changed the show's time slot, and there was also a writers' strike at the time, which further hampered its ability to attract new viewers. The series's high production costs, combined with the other two factors, made it easy for ABC to cancel the show. The difference between Pushing Daisies and other series is that it offered a rarely told story that was not very popular on television at that time: how to live with death, having the responsibility and "playing" at being God, its visual-aesthetic proposal of the 50s and 60s adapted to the present, colorful, happy, but at the same time always linked with death.
The series was created by Bryan Fuller
Bryan Fuller is an aclaimed American television writer and producer. His television aesthetic is highly stylized visual aesthetic and magical, also with a touch of macabre story teling. His work is a mix of dark fantasy, horror and sharp comedy.
Pushing Daisies is often described as a forensic fairy tale.
In the past year Fuller has said: “We have a season three pitch, and the entire cast wants to come back, and we’re hoping we get to return to them. We just have to find somebody who wants to make it.”
From an unused story idea to a complete show
The central premise was taken from an unused idea from Fuller's previous show, Dead Like Me (another great series about grim reapers, but we will talk about it another time), where the protagonist touched people to kill them, but someone else was bringing them to life. Ultimately, this opposite concept expanded to a whole new show and universe.
The Whimsy and Heart of Amélie
Visually and emotionally, Pushing Daisies owes a massive debt to the 2001 French romantic comedy Amélie. Fuller has frequently cited it as one of his favorite films. The show has a hyper-saturated color palette, surreal production design, and emotional tone. As Fuller once explained:
"Really sad things happen in it, but you never get bogged down in the sadness.
Like Daisies, it's really about human kindnesses."
Save Pushing Daisies!

Like Kristin from eonline said:
"So please, have a heart. And if you're a fan of good, creative, scripted television send a message to the network execs by tuning in tonight and showing them there is an audience for truly original TV and not just for cheap, sensational reality tricks or a regurgitation of some old idea.
And while you're at it, why not DVR tonight's ep on a separate TV just for good measure? Or reach out to any friends who might be Nielsen's families? As Earl Hickey says, "Do good things and good things will happen."
Here are some places you have to go to help or get some info:
- http://www.petitiononline.com/daisies/petition.html
- Vote for PD at TV.com (so far, we're second!):http://www.tv.com/best-of-2008/?action=vote&template=special_feature/best-of-2008/index.tpl&poll_id=276868&choice_id=3&tab=genre&page=2
- Save Pushing Daisies 2008-2009:http://www.facebook.com/group.php?gid=30237424757
- The Piemaker Fan Site: http://www.thepiemaker.com/
Thursday, November 20, 2008
Solo Disney lo podia lograr
- El rey y la reina, que no han podido tener hijos, desean uno
- Les nace una linda niña y lo celebran en una fiesta
- Las hadas del reino le entregan dones a la criatura
- Una de las hadas, que no había sido invitada, lanza un maleficio
- Pero otra hada lo atenúa deseando que la princesa, en vez de morir, duerma por cien años
- Cuando esta es adolescente, se pincha el dedo en un huso y se cumple la sentencia
- La princesa descansa en su lecho y todo su séquito cae en el mismo letargo
Solo Disney podia crear una historia donde un príncipe sea capaz de arriesgar su vida y hacer lo que sea por la vida de esta princesa. El año pasado Disney eligió a David Beckham como el hombre de carne y hueso que interpretaría a este príncipe.....muy buena elección .
“We are all in the gutter, but some of us are looking at the stars.” -Oscar Wilde-
PETA and Lindsay Lohan 2008
Jugando a ser una Diosa

Básicamente este juego trata sobre algunos sobrevivientes a un naufragio, estos pequeños personajes se encontraran en una isla y el jugador tendrá la labor de guiar a la tribu en todo sentido. La verdad se ha vuelto una adicción jugar este juego, que mas que nada trata de estrategia. En mi caso tuve que darle a cada integrante de la tribu un trabajo, también controlo lo que hacen, con quien….procrean, y cuantas veces jejeje.
Es interesante ver cómo puedes controlar a cada individuo y este va aprendiendo o descubriendo cosas diferentes. La vista que tengo de la isla donde este juego se desarrolla me da un aire de Diosa…y no se siente nada mal “trabajen esclavos!”- si solo podríamos controlar así nuestras vidas- *suspiro. Les recomiendo bajarse el juego completo o jugarlo en línea.



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