The mourning process was strictly kept in Victorian times. A wreath of laurel or boxwood tied with crape or black veiling was hung on the front door to alert passersby that a death had occured. The body was watched over every minute until burial, hence the custom of "waking". The wake also served as a safegaurd from burying someone who was not dead, but in a coma. Many families would host wakes in their homes for up to four days and the tradition of bringing fresh flowers to funerals stemmed from a time before embalming. Flowers were a way of masking the odor of the decaying corpse. Caskets were often placed on a cooling board which resembled a tub or crate of ice under the body to slow down the decaying process. Clocks were stopped at the time of death and mirrors were either draped with black cloth or turned to the wall so the spirit of the deceased could not get caught in them. The dead were carried out of the house feet first, in order to prevent the spirit from looking back into the house and beckoning another member of the family to follow him.
In the Victorian era, the infant mortality rate was high and infact, life expectancy in general was far less than it is today. Parents may not have had their child photographed while they were alive. In the event of a sudden death, the family would have rushed the body along to photographers to have a photograph taken as a reminder of their child.Some of these photographs were tastefully done showing the obviously deceased child laying on a bed surrounded by flowers and apparently asleep. However if the family did not have a photograph of their child or family member while they were alive, they would instruct the photographer to give the impression that the deceased was still alive at the time of the photograph.
One of the first parts of the body to deteriorate after death are the eyes and many photographers became experts at painting false eyes on to closed eye lids. Some photographers were more skilled than others at this macabre task.
When the deceased were older, much greater ingenuity was used to give the impression that they were alive in the photograph. Frames were built to support the deceased and supporting rods would be inserted throught the back of their clothing.
These photographs were a common aspect of American culture, a part of the mourning and memorialization process.
Private mortuary pictures could fit into three possible categories according to how they portrayed the subject:(Wikipedia)
-Simulating life: in an attempt to simulate the life of the deceased'sphotographed with her eyes open and posing as if it were a common picture,usually with their families, it is difficult to tell which is the dead person and that not have any movement out verysharp in the image and not their families, sampleswill be used to touch up by handusing rouge or paint eyes on the eyelids closed.
-Pretending to be asleep: usually done with children, making them as if they were resting, in a sweet dream, that they are supposed to wake up. In some cases parents held them as coined to bring naturalness to the jack.
-Without simulating nothing: they are photographed on the deathbed, in this kind of footage something was added ,like an ornamental flowers, which were absent in the rest of the post mortem photographs, commonly such photographs are were also took with children.

































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