The Seventh Cloud: Morbid

Translate this blog to: Français,Deutsch,Spanish and more!

Showing posts with label Morbid. Show all posts
Showing posts with label Morbid. Show all posts

Thursday, March 26, 2015

Victorian Remembrance: The Art of Post-Mortem Photography (Pt. 3)






  Post-Mortem Photography: A Historical and Cultural Ritual of Grief ( Pt 4 ) HERE

Historical Context: Maternal and Infant Remembrance

In the 19th and early 20th centuries, the mortality rates were a universal concern. Unlike many other health challenges of the era that followed a period of illness, maternal mortality often affected healthy young women unexpectedly. These events were deeply felt, frequently leaving families to navigate the complexities of grief while caring for newborns and older siblings.

The Role of Commemorative Photography

To honor the brief lives of infants lost during this era, families often turned to commemorative photography. In an age before personal cameras were common, these portraits represented a significant sacrifice and a profound act of love. These images served as a vital "memento mori," providing the only visual record a family would ever have of their child—a way to preserve their memory and place within the family tree forever.

Cultural and Religious Reflections

The gravity of these events was even woven into the social fabric of the time. For instance, the Church of England’s prayer book long included a specific service for the "Churching of Women." This rite, which has only recently been phased out, traditionally began by offering thanks for a mother’s survival and recovery, illustrating just how precarious the journey of parenthood was considered to be:.

The decline of post-mortem photography was not a sudden event but a gradual shift that began in the late 19th century and was largely complete by the 1930s.
   
‘The safe deliverance and preservation from the great dangers of childbirth.’



  Post-Mortem Photography: A Historical and Cultural Ritual of Grief ( Pt 4 ) HERE




Historical Metrics in Maternal Healthcare (1800–1950)

For over a century and a half, maternal health outcomes served as the primary benchmark for evaluating the efficacy of maternity services. These figures were scrutinized by obstetricians as they sought to improve clinical standards. However, defining the parameters of these statistics presented significant challenges for early medical professionals.

The Evolution of Data Collection

Before the mid-19th century, obtaining accurate population data was a complex task due to the lack of a centralized national registry. Prior to the landmark Registration of Deaths Act of 1837, historians and medical researchers had to rely on localized "bills of mortality" or parish registers. These early records, while invaluable, highlight the transition toward the rigorous, data-driven healthcare systems we recognize today.






The American Demographic Transition (1800–1950)

Like all modern, developed nations, the United States underwent a profound demographic transition from high to low levels of fertility and mortality. In the early 19th century, the average American woman experienced between seven and eight live births, while average life expectancy typically remained under forty years.

However, the American experience was unique for three reasons:

  1. An Early Shift: The decline in fertility rates began exceptionally early, starting in the late 18th or early 19th century. In contrast, most Western nations—excluding France—did not see sustained declines until the late 19th or early 20th century.

  2. A Unique Sequence: Unlike the typical demographic model where mortality rates drop first, America’s fertility decline preceded its mortality decline. A sustained, irreversible downward trend in mortality did not begin until approximately the 1870s.

  3. Migration and Expansion: These shifts were uniquely shaped by high levels of net in-migration and significant population redistribution, first toward the frontier and later into rapidly growing urban and suburban centers.




















Wednesday, March 25, 2015

The Final Impression: The Art and History of the Death / Remembrance Mask



 I often find myself reflecting on the ways 

we remember those who came before us. 

Before the convenience of digital photography 

and instant portraits, the world had a much 

more tactile way of preserving a legacy.


I honestly wouldn't have minded if my great-grandparents had left me such a unique piece of history, a final casting to ensure their features were never forgotten. In the era before the camera, saying, 'I leave my likeness to my granddaughter,' was a profound act of love and preservation.

It’s fascinating to think that these masks weren't seen as somber objects, but as a way to bridge the gap between generations. In a time when a painted portrait was a luxury for the few, a hand-cast mask was a raw, honest, and permanent way to say, 'This is who I was.' While we now have thousands of photos on our phones, there is something deeply moving about the idea of a physical heirloom that you could actually touch to remember a face.





Historically, the remembrance mask served as a profound bridge between life and legacy. These unique artifacts were created by taking a direct cast of a person’s features, typically using materials like wax, bronze, or most commonly, plaster.

These casts served several important artistic and commemorative purposes:

  • Busts and Sculptures: Artists used them as a precise reference to create lifelike statues and monuments.

  • Historical Record: They offered a way to "immortalize" a person’s likeness with a level of detail that even the finest paintings couldn't match.

  • Family Heirlooms: These masks were often kept by families as a physical connection to their ancestors, sometimes even being displayed during memorial services as a tribute to the life lived.


From the Middle Ages through the early 20th century, creating these likenesses was a respected tradition often facilitated by skilled artisans. However, as portrait photography became more accessible, this tactile method of preservation gradually transitioned from a common practice into a rare, historical art form.




“In the cases of people whose faces were damaged by their death, it was common to take casts of their hands. An example of this occurred in the case of Thomas D'Arcy McGee, the Canadian statesman whose face was shattered by the bullet which assassinated him in 1868.” - Wikipedia

While life masks were often created from living subjects, the remembrance mask presented a unique challenge for artisans. Sculptors and specialists understood that timing was essential to capture a true-to-life impression. To preserve the most natural facial structure and authentic features, the cast had to be created swiftly, ensuring the final work reflected the person's true character before the subtle details of their likeness began to shift or decay.






Thanks to this dedication to preservation, the likenesses of many historical figures have been immortalized, allowing us to view faithful replicas of their actual features today. Even modern forensic science has benefited from these masks, as they allow researchers to meticulously study a subject’s facial structure centuries later. While the original molds are typically protected within museum archives, the versions we see on display are carefully crafted copies. It is often noted that only a handful of these authentic, early-edition casts exist worldwide, each dating back decades or even centuries. Standing face-to-face with a remembrance mask provides a sense of realism that a painting or a sketch simply cannot capture. 

(Romans and Ludwig Van Beethoven)






   (Marie Antoinette and  Henry IV of France)


(Alfred Hitchcock) 


  

















Mary Queen of Scots and Nikolai Tesla





( Pancho Villa )


( W. Shakespeare )

 ( Sir Isaac Newton )



( Frederick II, King of Prussia )

( George Washington )


Would do like to have your own Life or Death mask ? Why ?

Wednesday, March 18, 2015

I'm dead and I'm here ! Headstones: Why Cemeteries Are the Last Witnesses of Our Existence



The headstone/gravestone marks the place where a grave or tomb is placed. They are traditionally used by most religious people and they became part of the funerary tradition and business. The gravestone is the way a family honors the deceased by putting this eternal memorial on“the last place to rest”. This is a tradition that I think we should keep alive.





Just think about it, from here to a hundred years, future generations will probably find our destroyed coffins, our bodies… bones and wonder if we were male or female?, who we were?, when did we died? and more. Part of the objective of the gravestones is not only for ID purposes (so the family can visit the body without forgetting the place) but because the human being has a fear to be forgotten. For most of us, documentation and a gravestone will be the only proof for the next generation that we existed once upon a time.


Most of the world’s population won’t enjoy a massive popularity, not even in their hometown but we will have a family that will remember and have us present in every important milestone in their life but if we are truly lucky, there will be someone who will want to know more about us even after we are gone.







When people started to make headstone, they started out by making them from simple materials and simple designs with symbolisms. From pieces of stone to carved wood, we manage to level up this important cemetery piece. In the old, old days when body snatching was fashionable; families even built cages on top of the graves.


Headstones nowadays are made from different materials: Fieldstones, Granite, Marble and Slate.  In the beginning all tombs had a stone lid, if the coffin was completely made of stone or not, this stone lid was placed over the grave. Stones were used to mark where a body was buried; they were placed around the grave and just marked with a name or initials (that's sad).





One important element on a headstone is the identification of the deceased person, the day of birth and death, a prayer or specials words by the family, a photo and finally a place to put flowers. Most people decides to put a little fence or something to surround the grave this way other cemetery visitors won’t step on a person’s last resting place.


Having a gravestone was and still is a symbol of wealth, the bigger the better. Some people used to buy expensive material and used designs that become traditional but were very symbolic, like skulls, birds, angels, flowers, praying hands, crosses, etc. The headstone evolved into pieces of art. Big or small, the sculptures that some graves have are beautiful and incredible. If you take a walk on a graveyard you will see sculptures of angels, Saints, hands, books, beds, Greek columns and more.




Sadly, there are more and more people going for cremation “Today, nearly all of the deceased receive some sort of burial or cremation even if it is paid for by the state. The cost of land and the current overcrowding in cemeteries, along with changes in perception, have made people consider cremation.  Cremations are less expensive than the cost of caskets and plots.” -247wallst . 
 I say sadly because XXI century people are opposite to the way The Victorians were during the 1800’s (Click to read more) ; people now hate death, they don’t want to talk about it, it’s scary and a morbid issue that shouldn’t be a topic of conversation…at all! So with that mindset, the sooner a body goes underground and if people don’t have to deal with a corpse THE BETTER! Cremation means that families won’t have to set a foot on a graveyard and that means that there will be one less proof of a person existing or worst; the neglect of cemeteries. Let’s face it, yes…we will have photos, facebook profiles and documents but none of them will truly express the love of a mourning family for the decease the way a headstone does. It will have a direct effect on people's way to see death; probably it will make people colder. Where our feelings will go if we cannot mourn in a place made for that?













ad